I marched up to him, my fists balled. In the Swedish version Oskar makes no effort to resist the bullies and even meekly swims towards them when asked. Foreshadowing: - At one point, Owen tells Abby how much he hates Los Alamos, and that he just wants to leave and never come back. I never saw its 2010 remake, Let Me In, because it wasn't also called Let the Right One In. There are also several bloody scenes that while not being gratuitous, also don't hold back on the gore. Shrinking Violet: Owen's a rare male version due to the constant bullying he endures. Undead Barefooter: For the most part, Abby never wears any shoes, due to her not feeling the cold. Death by Adaptation: - In the book Eli only kills Jimmy and Kenny's counterparts but lets the other bullies live.
He's treated much more poorly by his parents. Time for a job evalIn the book, much is made between the pedophillic relationship between seemingly young girl Eli and her "father" Håkan. They decide to have a sleepover in his bed. Owen, while still retaining some of the darker aspects of Oskar (i. e. fantasizing about killing his bullies), has had most of the most disturbing aspects of his character removed, such as committing arson at his school, shoplifting, and having an obsession with serial killers. Afterwards, she kisses Owen on the lips and gets the man's blood on him. However, it's a chilling moment as Owen seems traumatized and is completely passive as Abby wraps her arms around him, as though symbolizing that Owen belongs to her now. Later on, Oskar catches a glimpse of Eli's naked form and sees that she does not possess any genitalia. But what is especially interesting is to see how Lindqvist's trans-related themes, which run strongly throughout the novel, get differently digested (and edited) in the two subsequent films. Prequel: The comic Let Me In: Crossroads, which John Ajvide Lindqvist did not want to be made (he unknowingly sold the comic rights. The fact that Let the Right One In's vampire is physically a twelve-year-old girl, makes that act a rather chilling (and highly exaggerated) portrait of adolescent monstrosity. Movieguide® is a 501c3 and all donations are tax deductible. Another one was Owen being able to buy a knife at only 12-years-old, which would not fly as easily in the post-Columbine society.
Bloodier and Gorier: The Swedish film relied a lot on long shots to not focus as much on the gory aspects. This is shown in the respective scenes where they whip Oskar/Owen, in the Swedish version most of them hesitatingly hit him with a thin branch and Oskar barely seems to feel it, while in "Let Me In" they hit Owen with a metal antenna so hard the pain brings him to tears and their only objection is when Kenny hits him in the face, leaving a cut on his cheek, pointing out that his mother will want to know what happened to him. Immortal Immaturity: Abby isn't a fully grown woman in a girl's body, like in most vampire media, but rather a child whose mental development was put in stasis when she became a vampire. The Good, the Bad, and the Evil: - The Good.
Here, we have the lost. Surely, the blood sucking via fangs is one of the first things. It's obvious he loves causing Owen as much pain, mental and physical, as possible and as frequently as he can. Not all is spelled out for viewers, but those willing to put forth the necessary thought will be treated to a profoundly personal cinematic delight. Dec 29, 2016a very very good norwegian romance horror. He certainly notices how odd her behavior is, asking why she doesn't wear shoes in the snow, remarks how odd it is she never appears in daylight nor knows very famous pop culture items like a Rubik's cube, and when he confronts Abby he immediately asks whether she's a vampire, implying he had already guessed, judging by her behavior. This act of violent revenge has consequences that will change his life. Oskar wants to kill as much she needs to. The bullies' massacre is much more graphic and bloody, with Owen's back left soaked in blood by the end of it. It's too slow, however, which undercuts the urgency of Oskar's jeopardy with the bullies, which is the story's main conflict.
Only for his mother to be passed out drunk and when he calls his father he completely ignores Owen's questions to make it about his divorce. The Bad: Abby, while she doesn't derive any pleasure from it and she's required to drink human blood to live, she still kills scores of innocent people throughout the film. "Are you really my age? " What he doesn't realize is that she is a vampire and her "father" is actually her human guardian who begins committing a series of murders to keep her supplied with blood. Defrosting Ice Queen: Abby, in first few scenes she's incredibly cold and standoffish to Owen.
First love is tough enough without your girlfriend being a vampire. He certainly looks the part physically, with his raven black hair, almost inhumanly pale skin and slender, almost malnourished-looking body. Throughout the film, despite it being obvious there's something odd about Abby (i. walking barefoot through the snow, the loud arguments she has with Thomas) Owen doesn't care as long as he has companionship in his life. Oskar soon figures out that Eli is a vampire, but she's the only friend he's got, so he doesn't expose her. The Swedish film has Eli played by the haunting amateur child actress Lina Leandersson, who has a powerful presence and pathos in this role. Like classic vampire films, Eli is an outside figure and is invariably menacing, becoming a manifestation of the audience's deepest fears, while simultaneously feeling compassion and understanding for her alienation, exclusion, and difference. At the end of the film when Owen goes swimming while walking through the locker room in his trunks he looks very self conscious at having his scrawny body bared around the much more muscular, athletic students. You might also likeSee More. Notably, after Owen's called to the principal's office after defending himself against Kenny, all she can state is that he's "a good boy", never bothering to inquire why exactly her gentle, quiet son would attack someone. Violently Protective Girlfriend: Averted initially with Abby. Oskar is initially shocked by what he sees. His father mentions he hasn't seen him in months and in the one scene they walk he plainly doesn't care or notice that his son is crying. Enjoy articles like this? Don't be fooled into thinking because this stars children that this is a children's movie, because it most definitely is not.
A variant with Owen regards to Abby's behavior. Because the boy was small and not very useful for farmwork, he was given up to a nearby lord (who presumably made him into a vampire). Later in the cellar scene with Owen, after he tried to initiate a friendship pact by cutting his thumb she immediately looks at him like a predator spotting prey and nearly kills him. After Owen figures out that what Abby is he asks her whether she's a vampire. This coupled with the increased focus on Owen and Abby's relationship makes her seem more sympathetic than she really should be. Bring My Brown Pants: In the remake, the bullies attack Owen until he wets himself. When Abby warns him that they can't be friends when they first meet Owen looks absolutely heartbroken. However, the scene does carry a hint of darkness, because one must consider the origins of Hakan, Eli's middle-aged human companion, initially appearing to be a father figure but later shown to be more like her servant. The bullies are also a lot more sadistic in this version than in the Swedish film, whose bullying seemed to be a lot more childish, consisting of pranks and teasing compared to the brutality in this version. In the end, they ride off together in a train, she in a box, he accompanying it.
Vampire-funny, you know. Not Now, Kiddo: A tragic version. The movie alludes to our feelings on the subject of unrequited love and the true definition of humanity. That, or they were ephemeral, as in Bruce McDonald's eerie Pontypool or M. Night Shyamalan's awful The Happening (wait, the trees did it? He was surprised, caught off guard. By the end of the film no matter what Owen's fate is with Abby, becoming her familiar or being turned into a vampire by her, he's going to end up killing people for the rest of his life. In one very short scene Oskar sees Lina naked. Friendly Neighbourhood Vampire: Averted with Abby, despite being one of the main characters. She yanked me into the minivan, grabbed my backpack, and rifled through it. However, seeing that this hurts Owen's feelings she accepts to please him. The plot revolves around a twelve year old boy in Sweden name Oskar. It's a Rubik's Cube. Father and daughter are a strange pair. As it was, perhaps the most interesting part of the book was homogenized into a story line no one cared about.
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