Coming February 11th: Spoon's tenth album, Lucifer on the Sofa, is alive, vital and inarguably the band's heaviest work to date. And that character came out a lot, and that's why that song got written in April 2020. I first started drawing as a child in Cuba. And the world, still so wild, called to me. SPOON: (Singing) For the first time in my life, I let myself be held. Lucifer On The Sofa is the newest album by American rock band Spoon, headed by guitarist and singer Britt Daniel.
This text may not be in its final form and may be updated or revised in the future. When you try to encapsulate yourself at your worst, what is that image? I wanted to reclaim it, to give new life and personal meaning. Spoon's subgenre is difficult to pin down, with the influences most apparent on this record sounding to me like a blend of '70s classic, '90s grunge, and '00s indie and progressive rock. Speaking in third person. So Lucifer On the Sofa came out today and has your artwork all over. The lyrics and music had a lot of influence on the work. She literally said, "Oh no! " DANIEL: That was us, you know, really figuring it out as we went along. Which brings us back to Lucifer. I got on fine with modern living. And I said, maybe this isn't just an exercise.
By Antonio Villaseñor-Baca. There also seems to be this strong imagery of what almost seems like African masks or more indigenous faces in your work. Are there any songs that you are particularly excited to keep playing? Because you've made the record in the studio or writing the songs as you were recording them. And it's a song we used to play live in the 2000s. The result is Lucifer on the Sofa, Spoon's loosest, liveliest album since 2010's unruly low-fi gem Transference, which combines that LP's spontaneous spirit with the meticulous production and sharp melodic hooks of their most memorable work. In a perfect blue sky. Daniel speaks of the banality of modern living and contrasts it with the explosive chorus in which he exclaims, "and the world, still so wild, called to me, " reminding listeners of the vast beauty life has to offer. All of the illustrations from the album were selected by the Society of Illustrators for their annual exhibition opening in NYC next month. If you haven't heard, we're overjoyed to be putting on a day dedicated to Spoon, a band 88. HAS SHE LISTENED TO IT YET?
However, they invariably sound cool and interesting, and still successfully evoke the feelings that they aim to, so maybe this different approach isn't all that much of a problem. BD: "Trippers and askers, they surrounded me. " DANIEL:.. songs are going to go on - go over better than others. Appealing to me, advertising. You hit the corner market. But before you did, got your hair combed right. And I went in the other room and kind of strummed along to it with the sort of vibe of like "Keep The Customer Satisfied" by Simon and Garfunkel. Masks, sculptures, red and white ribbons, flowers, cigars, blood, and animal sacrifices are all part of it. But Spoon needn't worry. So when we were getting together one day to work on this record, in order to sort of get us in the mood, we started playing some covers. Can you elaborate on that from your bio? Lucifer on the Sofa is a solid reminder that even the worst of times deserve a great soundtrack, and that music — like the band itself — will never go out of style. Overall, Lucifer On The Sofa is an outstanding record for what it is: groovy, strut-worthy, exciting hard rock that proves the genre that so many call dead is still alive in the current year. I think it's funny because I have these quotes where I kind of spout off, and I think I said that one thing about classic rock.
DANIEL: You know, it's times of anxiety, times of distress. But these motifs appear in a lot of your work. It was - it's another side of me. So I just want to ask you, what does "Lucifer On The Sofa" even mean? After the song was fully written and I'd really had a chance to get away from it for a second, I figured out what I think it means: That Lucifer on the sofa, it's the worst that you can be, that you can face in times of stress. I'M CURIOUS, IF YOU HAD TO GIVE THE LISTENERS OF THIS ALBUM REQUIRED LISTENING – ARTISTS OR ALBUMS – WHAT WOULD YOU CHOOSE?
When the dust settled, it became clear the lyric was simply a metaphor for when he's at his lowest. Lead singer Britt Daniel wrote this song while locked down in Austin, Texas, during the pandemic. Description:- Held Lyrics Spoon are Provided in this article. The lyrics are very visual, images and settings seemed to come to me right away.
I think that's what she's talking about, but yeah, she came around to it. Your work has been featured all over the place, like Time Magazine, to name drop. That being said, aside from some interesting tympanies, dreamy background vocals, and harps on "Astral Jacket, " the sounds on any given track do not tend to be especially original in the broader context of the genre. WeTransfer sponsored the trip and sent a reporter with me to document it. The instruments all work subtly with the singer to tell the story of him getting gradually more comfortable unabashedly expressing his love, starting out fluttery and nervous, but getting louder and more excited each chorus. SPOON: (Singing) You took off in the dead of night. NPR transcripts are created on a rush deadline by an NPR contractor. All them describing how they'd like me. Britt Daniel reached out about the possibility of creating an album cover.
The little break... DANIEL: We just left that kind of stuff in there 'cause it felt good, you know? I sat on the music for quite some time, for years. Type the characters from the picture above: Input is case-insensitive. Whether it be illustrations of Jimi Hendrix, portraits, or political figures, his work is starting a conversation. The authoritative record of NPR's programming is the audio record.
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