And prog fans are not the ones to be joked around with; they don't like when the creator himself of the music they worship takes his art tongue-in-cheek. You can learn more about Todd Rundgren here: About the Curator - Sonya Alexander. Who needs such kinds of flawless imitations if the artist hasn't really impressed his own identity into them? Fortunately, Todd Rundgren has ten times as much taste as Freddie Mercury ever did; without extolling his brashness and manlihood a la arena-rockers of the day, he concocts another concept album, an anti-Utopia of sorts, with twelve short songs complaining about the hideous state of the modern world.
Add to this that the hooks on most of these tunes are not very obvious: unless it's your first rock record or something like that, nothing really jumps out and grabs you. G. H. - Happenings Ten Years Time Ago. Mary and the Holy Ghost. Booming power chords, gloomy echoey vocals, the - slightly corny - feeling of impending doom, the quiet Japanese style synth chuckling, the ridiculous "this is the official voice of the United States of America addressing the people of Japan... " address, the nervous clock ticking, the nightmarish chaos of sirens and wild whooing guitars, and, of course, the nuclear boom and the sizzle of the frying-pan at the very end. Uh oh, here i go thinking them crazy thoughts again. It's also pretty diverse as far as style is concerned, yet never really sounds like anything else. Track listing: 1) Open My Eyes; 2) Back Of Your Mind; 3) See What You Can Be; 4) Hello It's Me; 5) Wildwood Blues; 6) If That's The Way You Feel; 7) When I Get My Plane; 8) Lemming Song; 9) Crowded; 10) She's Goin' Down. The Very Last Time [utopia]. Main Category:||Art Rock|. Nobody will ever guess if the song was meant to be an honest dirge to the fallen of Hiroshima and Nagasaki or it was just a vehicle for Todd to visualize some of his more "perverted" fantasy ideas, but in any case, the performance is outstanding. Of course, repeated listens make the Rundgren material homier and cozier, but even after a couple dozen of 'em, I still could care less about the songs. When Worlds Collide. Just write good melodies and don't be so ambitious. Well, this ain't a tragedy - I expected the record to grow on me just like Nazz did; unfortunately, this time the 'growing' procedure was very slow and painful.
Occasional punches of energy in the form of blistering Rundgren solos do help relieve the drag atmosphere, but they're only occasional and definitely insufficient for an eleven-minute running time. Croler Video Search. But if you find it cheap - man, now we're talking! Tell Me Your Dreams. Luckily, the album places a slightly more solid emphasis on rockers (seven as opposed to the five ballads); I have always valued Todd the rocker higher than Todd the master of witty subtle romantic hooks, and he sure doesn't let you down with this stuff. Needless to say, these complaints do not refer to all of the album - otherwise I wouldn't have given it the extremely high rating of 11 (I wanted to give it a 10 originally, but I raised the rating one point just for the 'one-man band' factor which certainly should be taken into major consideration).
In a voice soaked with euphoria: I went to the mirror this morning. Janis Joplin, Patti Smith, Rita Lee... Cobra Kai (trilha sonora). From the Album Something/Anything? In And Out The Chakras We Go. Equally impressive is 'Sunburst Finish' (I skip the mediocre power ballad 'Eternal Love' because not even Todd's talent can make it come alive. I looked at my hair, I think I'm going bald. And, of course, despite the solidity of the vocal themes, there just aren't that many memorable moments throughout. From the Album (Re)Production. In brief - mannerism, that's what the record is suffering from. From the Album No World Order [TR-i]. Português do Brasil. Or even 'My Angel', which is kinda cute if sappy. Maybe I'm Better Off.
Something To Fall Back On. Many times through this record I've been reminded of Frank's Roxy & Elsewhere, and although I'm not sure Todd's album was released after that one, the connection is still obvious (and, by the way, is the introductory number really recorded live or is that audience applause just overdubbed? ) From the Album The Individualist [TR-i]. Year Of Release: 1977. Forgive me please, but I just don't see it. Press enter or submit to search. For information on reviewing principles, please see the introduction. Overture - My Roots: Money (That's What I Want) / Messin' With The Kid.
Feel It (Tubes Version). When there are ballads, they are mostly about escapism and salvation - through love, of course; when there are rockers, they are about how modern society sucks. To make matters worse, you only arrive it after sitting through two rather generic rockers ('Under The Ice', 'Hang On Paul'), two very generic bluesy numbers ('Kiddie Boy', 'Featherbedding Lover'), and one atrocious attempt at a 'rambling' ballad - I could have penned a song better than 'Letters Don't Count' in ten minutes without knowing a single note. Downstairs is the studio ('where the magic happens') he is blessed to call his own. Free Male And Twenty One. If you didn't, check out any of my reader comments' pages. Click stars to rate). I seen my, my lips, my teeth. Putting him on par with Genesis? Then Todd cedes the vocal spotlight to other Utopia members as they start singing more 'normal' material, like the stomping arena-rock thunder of 'Jealousy'. A Long Time, A Long Way To Go. Does Anybody Love You? Heck, it's the guy who did "Hello It's Me", after all. "Unpredictability for the sake of unpredictability", I'd call this here record.
From the second disc, it would be easy to extract the power pop masterpiece 'Couldn't I Just Tell You' (no, I'm not as madly in love with it as most other reviewers are, but I still admit it's one hell of an impressive song - with emphasis on 'power', 'power', 'POWEEER! Everybody's Going to Heaven \ King Kong Reggae. It's supposed to be a concept album - about the sun, of course - but the concept, as usual, is certainly a little loose and gets entirely lost as the record flows by. I mean, yeah, if you're not gonna innovate, don't pretend you are. Please check the box below to regain access to. And Todd certainly doesn't leave much of a personal trace in your heart with Something/Anything? I'm sure we weren't followed Dr Klang! ') I also easily tolerate the crunchy blues-rock of 'Wolfman Jack' (a song that sounds a bit overproduced to me - yeah, I realise it sounds ridiculous when we speak of a one-man band, but this will only help you appreciate the real talents of Todd as a multi-instrumentalist), and 'Song Of The Viking' is kinda catchy, even if its funny bip-boppin' piano rhythm is hardly compatible with a true viking atmosphere (as portrayed in Led Zep's 'No Quarter' and Jethro Tull's 'Broadsword', for instance). Capacity has suddenly been reduced to that of a. cherrystone clam). Boogie on out to a brand new day. As far as AM [radio] programming goes, it's a piece of crap.
There's practically nothing original or shocking or surprising in any of the songs. Heck, he even managed to drag a band as generic as Grand Funk Railroad out of their pseudo-soulful misery! All these years i've been watching from the other side. Usually what you see is what you expect to see, and I was trying to re-cast it in a way that it was as if you were looking in the mirror for the very first time and you were seeing yourself for the very first time. Any more and I'll be betraying my rating credo: a record with not an ounce of innovation and without monstruous hooks can't really get anything higher than a I said, Rundgren is the creative soul here, yet he never sings lead vocals - that role is relegated to Robert 'Stewkey' Antoni, who's got a pretty ordinary teenage pair of chords, but at least he doesn't get off key or anything. There Goes Your Baybay. Other Songs: Attitude. From the Album Liars. How About A Little Fanfare? So yeah, I do admire his work on these covers, an exercise akin to a sculptor painfully and laboriously reproducing an ancient statue, but far more difficult because it's pretty hard to capture both the technical details and the spirit of the original recordings. I think I'm going Bald.
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