The reverb pot has a 1/4" smooth shaft. People always seem to mention the Eminence Lil Buddy when talking about upgrading this amp. VHT Special 6 Harma Retro Philips 6V6GT G10 Green Kit VHT Amplifier Kits The VHT Special 6 1 x 10 combo fitted with Celestion G10 Green back an excellent classic British blues and rock speaker... Vht special 6 speaker upgrade price. This corresponds to the bass control turned up. This value depends on the playing style and the taste very much.
There is a fair bit in common between the Special 6 and some of the Fender amps that have borne the Champ designation. There's definitely some sweet spots to be found. High/Low power switch. The white wire is connected to the volume pot so you can tap in there for a shorter wire run. Thanos' Distortion Mod Schematic. Other modifications I made to improve clean tones and tighten the low-end: - Swapped the stock 12AX7 preamp tube for a lower gain JAN 5751. I was previously looking at 12" speakers for my green board '00 Blues Jr., and found I really liked the sound of one of the H type Celestions (couldn't find the shootout, will link it here if I do). Speaker, which isn't meant to color the tone, then go head and line. VHT SPECIAL 6 (Upgraded with 6L6GC, JAN 5751 tubes and | Reverb. Get some learning and inspiration there: If you follow stuff about the tone stack works, I suggest having a play with the Duncan Tone Stack Calculator: It's so much more comprehensible once you can see a graph and how the changes shape things (the options are at the top of the page). You can find more info about this amp here: VHT Special 6 Ultra.
5k ohm resistor as shown below. Tweaked the amp's fixed-tone stack for a more Blackface Fender curve. Replace Resistor R43 with Choke Leads. Even my band mates remarked on how big the amp sounded. Speaker and Tube Suggestions for VHT Special 6. The Special 6 has only two tubes, V1 for preamp and driver and V2 for power. Now truth be told tbough, once I got my DV Mark Little 40, I hadn't played the amp at a gig until yesterday when I took it to my weekly church gig. You also have to reverse the blue and red wires from the output transformer (labeled "Swap for Negative Feedback" in schematic above and highlighted in pic below) to make the negative feedback mod work. We pinch off the two capacitors C11 and C12 and the blue wire at the soldering points as close as possible. Many thanks to Steve Molenaar for his continued custom & loyalty. Closer to $350, if you figure that most people will have a tech do the mods. If you plan to stick with the stock size 6L6 tubes you can get away with a smaller 75 milliamp rated choke but if you plan to run the bigger 6V6, EL34 or 6CA7 tubes you should get a 100 milliamp rated choke.
To complete the repair, we installed a new (re-issue) 6V6GT output valve by Tung Sol, one of the best of the current production 6V6's, plus at Steve's request we replaced V1 with a 5751 preamp valve. Connect - to center pin, + to barrel (this is the reverse of the norm). Clip resistor R12 and the Boost Switch and Foot Switch become a Raw Switch. Vht special 6 speaker upgrade cable. The new jack's sleeve connects to the ground wire (external speaker jacks' bare wire closest to the chassis wall). Low Power mode is perhaps a little disappointing by comparison, but still capable of yielding usable sounds.
I completely covered this resistor with a piece of shrink-tubing. See each listing for international shipping options and costs. The Special 6 Combo with 10" Chromeback speaker is only $20 more. Just my two cents (which is worth much less than that). They become replaced by 100k.
I should have called the popular "lift R19" Champion 600 mod "The Much Mod" 'cuz I'm pretty sure I originated it. Based on what you've said so far, I would change V1A to typical Fender values. Vht special 6 speaker upgrade cost. I put painters tape around the hole on the bottom to keep from getting any paint on the bottom of the cab. Reducing this send level control will reduce the amp's output volume so you normally want to run this control at max volume when no effects are plugged in.
The Special 6 Ultra's added gain stage provides plenty of overdrive for searing leads, bone-crushing crunch, and gristly grind, while its amazingly effective variable Watts control can reduce the volume to whisper-quiet bedroom practice levels — while maintaining the same overdriven tone, texture and dynamic feel. Another option is to replace R12 with a 100k full size pot or small trim pot for variable boost. VHT Special 6 212 2x12 Open-Back Guitar Speaker Cabinet with VHT ChromeBack Speakers. Delete (or just clip one leg) R13, R14 for Treble Pot, R15 for Bass Pot, R16 for Mid Pot. We change R20 with 270 Ohm / 5W to give a little more power to the 6L6. Insulated Plastic 9 Volt Panel Mount Connector.
A 'Master Volume' control allows you to turn down the output from the preamp so you can use the Ultra channel to get preamp overdrive distortion but then turn down this distorted signal and feed it to the power tube for low volume practice. This, of course, is no secret, and canny guitarists have always made good use of small Fender amps like the Champ and Princeton in the studio. But I didn't see this as a bad thing because it made the amp a perfect platform for drive pedals. The boost switch on the Special 6 does the same thing as the Champion R19 lift. I actually powered up the amp and moved the choke around on the chassis to find the location to minimize hum. Volume boost is engaged by adding resistor R12 (68k ohm located on the volume pot) to the tone circuit. But even if you change a lot in this mod - it's a good base. I had Alan from Anvil Amps mod mine according to the info that I found on the telecaster forum. It allows you to dial the power tube bypass capacitor from a really tiny.
Output for the EL34 and 6CA7 with the bias switch was measured at 8. Another cable (here green) connects the right pin of the volume to the middle pin of the tone potentiometer. The 2x12" Special 6 212 open-back guitar speaker cabinet comes loaded with VHT ChromeBack speakers for a unique blend of vintage nuance and modern power. I am planning on using this puppy with an Amptweaker Tight Metal Pro in the loop return most of the time. If you can access that capacitor, crocodile clipping other caps in parallel with it would allow testing different values until you're happy since capacitors in parallel combine their values. UK distributors Dawsons were kind enough to send both the combo and the head/cab for review; another option is an open‑back 1x12 cabinet with a Celestion G12H30 speaker, but this wasn't available. In recent years, the idea of a compact, affordable recording amp that prioritises basic sound quality rather than versatility has really taken off, and as well as innumerable boutique models, all the major manufacturers now offer their own takes on the concept. Some are great, some less so, but as far as affordability goes, the old adage applies: you get what you pay for. You can use drill stops to keep from penetrating too deep into the chassis. Plans are renewable on new gear.
V3 (Power tube) gets 6. You can go from Fender to Vox to Marshall using the Depth switch in combination with the Texture switch. We can increase R5 in order to reduce the voltage of the preamp, 100k / 2W is a common value. Now we take a 24 alpha potentiometer with A250k, break off the pin with flat-nose pliers and insert it. 2v AC through 2 green wires (both hot). Like coffeehouses (and for loud shows with a line-out to the PA).
Sent: Dec 8, 2010 5:30 PM. Clipping the near capacitor leg will remove it from the circuit and it will have an effect on the amp but the feedback loop will be much more effective. Let's say a warm, 6V6 clean/ breakup tone for single coils. When I plugged its head into different cabinets (of similar size), with different speakers (including the Weber), I didn't hear an appreciable change (in the good direction) in sound. I put the speaker as far right (looking from the rear of the cabinet) as I could to prevent interference with large 6L6 output tubes. In a small room without a lot of competition from other instruments, a 5 watt amp can be very loud indeed. There will be less volume boost with the mid pot turned up high. This allows high frequencies to bypass the tone control at lower volume. That said, the 10A100, the Eminence Legend 1028K, and the Jensen P10R are still great choices with their smaller magnets and voice coils. Simply unsolder and swap the two wires. Send Level control at lower left, Return Level at lower right. Stop buying these amps.
A better choice would be the 10A125, which David recommmeded in his Laney Cub replacement. That's a Marshall stack. One note about using the Ultra, the amount of control offered with all the sound shaping knobs can be overwhelming.
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