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It has some great songs for lead guitar and it also covers many other important styles of music including rock, country, fingerstyle, metal, classical, bluegrass, jazz, and more. When you get to shape 5, pause and then work your way back through the shapes in reverse. Given the importance of the minor pentatonic scale in blues and blues-rock music, I would recommend always including it in your guitar practice routine in some capacity. In other words, once you have played shape 5 in the A minor pentatonic scale, you move back to shape 1. B Minor Pentatonic Spelling.
Click on image to zoom in…. With that said, let's take a look at the guitar tab for the version of the B minor scale we just studied. Improving your technique. Learn how to play up and down the neck with ease and break out of those box patterns. It's not actually B minor, or B major I mean it's a something in between those. And you can apply this to any key. D Major Second, E Major Second, A Major Second. For more tabs, articles, and playing tips for the Open E tuning on slide guitar, click below…. At this stage, playing with a metronome is an excellent way to train yourself to play in time.
The only difference is where you play the shapes on the neck. To perform this exercise, set your metronome at a fairly low tempo of around 60 or 70 BPM. B Minor Pentatonic Scale for 7 String Guitar. In fact, using the minor pentatonic just adds to that feeling of tension and will give your solos and improvisations a distinctly bluesy feeling. Conversely, the notes that appear within the minor pentatonic scale are as follows: A C D E G. 1 b3 4 5 b7. Again though, stick with it. The notes that are found in the minor pentatonic correspond with those that appear in minor chords.
I started to experiment using three notes per string instead of the traditional two notes. After I felt comfortable soloing in A minor, I repeated the process in B minor and C minor etc. Check out this article on The Minor Scale if you need more clarification. Pentatonic scales have 5 notes, "penta" comes from the greek word "Pentateuch" which means 5. In G minor the second shape of the scale starts at the 6th fret and the third shape appears at the 8th fret. Important: The fretboard is shown with the lowest pitch string at the bottom and the highest pitch string at the top (unless you've tuned your instrument differently. Stick at this level until you can play each note in time.
Lesson: Playing the B Minor Scale on Guitar. I recommend performing this exercise along to the click of a metronome. Firstly, it helps you to consolidate the minor pentatonic scale shapes all over the neck of your guitar. This lick is a prime example of how I construct runs and licks for my soling or while improvising. Or let it write your out more. Specifically they contain the root note, a major third, perfect fifth, and a minor seventh. 1½, W, W, 1½, W. - semitones.
It's a very hip application of the minor pentatonic scale! You should not be trying to play these shapes quickly. If you are playing in G minor, this is where you would find shape 1 of the minor pentatonic scale: From this point you can then work out where the other shapes of the scale appear. The B minor scale in 7th position begins with your index finger on the 7th fret of the E string. The shapes below are illustrated using scale diagrams, which are nice and easy to read: – The circles represent the notes that you need to play. The goal is to eventually move back and forth between these two positions.
The reason for this is to make the transition back to picked notes smoothly and seamlessly. As such, this is how I would recommend learning the shapes of the minor pentatonic scale: – Start by playing shape 1. This is just one way of getting some very cool sounds out of a ii-V7-I-VI7 progression. Now that you know the basics of playing the B minor scale, the next step is to practice, practice, practice! Training your ear to hear chord tones.
It simply involves playing the pentatonic shapes slowly along to the click of the metronome set at the lowest tempo you can manage. I've included a summary below of his main point for reference (or if you aren't a guitar player and have trouble following what Vic is doing). Additionally, this exercise helps you to build speed and stamina in both your picking and fretting hands. Not only can you create some amazing licks using this shape, you can also combine it with a number of different scale shapes to great effect (which I will cover in greater detail in a future article). But fortunately you don't need to dig too deep into the theory or overcomplicate things at this point. Notice that the notes repeat along the entire width of the fretboard, based on the formula for the scale. F# Minor Thirteenth. Also, bonus question: The rhythm guitar player, is playing an Am7, then sliding up a whole step as the I chord. If you look at the fingerings for these shapes in isolation, you might think that there are better or more comfortable shapes that you could use.
Although most guitarists do have a preference, you should learn to read both. This can be found using the same method used to find the relative major of the minor scale. The notes marked in light blue show all of the tonic notes of 'A' on the fretboard. The background track is one guitar using open voicing chords and volume swells. Select your instrument... Designating a preferred instrument will tailor your search and navigation experience. Make sure to subscribe on our You Tube Channel and we'll see you in our next video lessons, thanks for watching. That note will be the first note of the first shape of the minor pentatonic scale. Don't worry – I won't get too deep into music theory here; I will just cover the essentials.