Did you initially start with an overarching conceptual idea for the three, or did it sort of develop this way? The first band we ever interviewed on our podcast is also from Utah- Advent Horizon. Personally I think the "swancore" label is just that, another label. Would you say that you are a band that has a message to share? The scene could be huge. Not by the label they're grouped into at that point in their careers. I know they hail from Utah, which has a dense Mormon population and I'm assuming that Andrew may have grown up in the LDS church, so I'm curious if there are any videos or articles where he talks about the possible influence that may have had on his lyrics. Is eidola a christian band or singer. Degeneraterra was the first album any of us had done with proper production, in a proper studio. We decided to swap the two when we felt like Eidola moreso encompassed what we really felt like as a project. It was a big project to take on sonically, and we felt like he was the perfect fit for this album. Any help would be much appreciated!
You should choose whether or not to support a band based on how they subjectively affect you and how you view their art objectively. Would you rather always have shirts that are too big, or always have shirts that are too small? Did you have any common musical loves that drew you together? I need to support them immediately! " Your music is really involved and impressive technically! I've known him for a while now; I've written, recorded, and toured with him. Is eidola a christian band or group. What would you say are your biggest philosophical influences for the album? Our newest album To Speak, To Listen took a look at everything we'd done previously and poked at everything we could do to improve, consolidate, refine, and manifest more directly.
We originally wanted the band to be called Jagannatha and had a song called Eidola at the time. I love food so much. We had initial themes and concepts we wanted to explore, but the grand scheme has developed over time and experience. That's just a bunch of DGD rip off bullshit". Then we take it to the rest of the band and collaborate on all the other parts. The Man, The Doors, Black Sabbath influence that we had recently come from while exploring more modern territory. I am the primary writer for Eidola, but everything is very democratic in the process. Thanks again for taking the time to listen to our catalogue. Is eidola a christian band site. We all kind of fit together like a glove so everything seemed pretty smooth from start to finish. Four of us went to high school together and eventually became friends.
Dryw will be happy to hear that. You are from Provo, Utah. I'm going to send him this interview as soon as it's up, haha. How would you characterize each album sonically?
I come to the band with the song structure and guitar written out, usually with lyrics and melodies written as well. I'm a glutton for punishment apparently, haha. Here at Proglodytes, we delight in bombast, so we would love for you guys to explain a little bit about the different concepts of your previous albums, as well as how the latest album fits into that narrative. Lyrically, our songs are deeply and conceptually rooted in a lot of existential themes. I find this to be super fascinating.
We absolutely loved working with him in every capacity. I also noticed he produced your previous record. In reading through the lyrics, I notice a lot of heavy, philosophical, existential themes? Eat anywhere for free! The latest album, To Speak, To Listen, is the third in what you have described as a series of concept albums. He also sports a cross necklace in the new video, possibly lending credence to the idea that their lyrics are deliberate in their religiosity. To Speak, To Listen is a very personal and practical step forward for the concept, while revisiting themes from both our previous records. Do you have primary writers, or is it a more democratic writing process? We caught up with songwriter/guitarist Andrew Wells to talk about the history of the band, the philosophies that drive them, and their new album. On this latest album, I have to give props to your sound engineer/producer, Dryw Owens.
My sense is that there is a growing scene for progressive leaning music there – am I right? First of all, how did you meet as a band? There is an overwhelming amount of artistic talent in SLC and Provo, and some bands do well operating at a local level in that niche. I noticed you were on Blue Swan Records, which was started by Dance Gavin Dance guitarist Will Swan.
I try to work out every day and treat my body right, so shirts that are too small for sure. We came up with our name after working through so many different titles. Even bigger bands in the progressive post-hardcore scene tend to avoid Utah more often than not because people just don't come out to shows like they do in bigger markets. We work well together, and he's been very good to Eidola. Finally, maybe the most important series of questions in this whole interview: -Would you rather live in a virtual reality where all your wishes are granted, or the real world? Thanks, we definitely took some liberties in the tech department for the new album. I wouldn't use the label for Eidola because I think we're doing something very unique, even in our scene, and I don't like over labeling things into all these sub-sub-sub genres. I've noticed a lot of religious themes in their lyrics and their new song refers to Elohim, which is the way that Mormons refer to God based on what I've read. I think that with the right venues, promoters, talent, and collaborative vision, Utah could turn itself into a massive hub of artistic success. We wanted to hold on to some of the Portugal. We are from Provo, and Advent Horizon are homies of ours. We continued to push our technical abilities to the limit in order to write a challenging, dynamic, and concise piece of art that explores all the motifs of our past while still pushing our sound forward. Hey all, Does anyone know of any sources that lend insight into Eidola's lyrics?
Let's talk about your writing process. They all go very in depth about the trilogy and the future of the concept, so I'd recommend checking those out if you have the time. I think some common bands we all enjoy are bands like Circa Survive, Thrice, Coheed and Cambria, Snarky Puppy, and Intervals. I personally love working with Will. It's a way for people to pigeonhole a group of bands because that's the easiest way for them to define things. The production was pretty raw and the ideas were there, but we hadn't quite figured ourselves out yet. I don't think either extreme is healthy for building a thriving artistic community. I would say that the local scene for progressive music is growing in Utah, but it still needs a lot of work. The Great Glass Elephant was very exploratory. Sonically that record is very chaotic and bombastic, ambitious and ravenous in a lot of ways. When you do that, you'll have positives and negatives from all sides, people that say "oh that's a swancore band? Eidola just released their latest album, To Speak, To Listen, in June. What has it been like working with Will?
We all kind of met each other in various ways over time. What do you think of the "swancore" label? Was Dryw brought on to realize a specific, intentional sonic vision, or did the sound engineering side develop over time? Our vision was clear, our abilities had improved, and our songwriting was still experimental but a bit more honed in. There are numerous highly technical, polyphonous passages, and the audio production both highlights the technicality and allows the sounds to coalesce into a stream of sound. Buy Eidola's latest album, To Speak, To Listen, here. Matt] Hansen constructs the drum parts around the structure and does the initial editing. I've spent some time with your catalog, and I am impressed at both the subtle and the obvious differences between each album. Would you rather be able to eat anywhere for free, or be able to travel anywhere for free? I've done two track by track interviews about our two most recent albums, as well as a two hour podcast for To Speak, To Listen. Outside of that we all have different tastes in a lot of ways. I would say that some of my favorite books are Perennial Philosophy by Aldous Huxely, Be Here Now by Ram Dass, and various subjective interpretations of The Bhagavad Gita.
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