The establishing shots of the music video for "Pray You Catch Me" include many cinematic signifiers, including images of chains, and depictions of Beyoncé in a field filled with dead foliage and of her kneeling on a stage — a metaphor for a crumbling relationship on display for public scrutiny. Beyoncé it's all over lyrics. You′ve been late; you've been mean and getting fatter all the time. 'Cause I don't take that talk from no second-rate diva, who can't sustain. And there's no more left to climb. I′m as much a part of this group as anybody else and I'm tired.
There's no money dirty enough to buy me out. I said, cool it, Effie. Always thinking of you. However, when she steps onto the ledge and jumps from the building, she doesn't land on the street — or simply, she doesn't get "caught. When it all over lyrics. " Hey, now watch your tone, don't blame it on Lorrell. As if this line wasn't devastating enough, Beyoncé decided to repeat it twice in a row. Stop excusing yourself. Effie, we all got pains! Now you watch your mouth, watch your mouth, Ms Effie White 'Cause I don't take that talk from no second-rate diva, who can't sustain. Effie:] That's a lie!
Song: "Plastic On the Sofa". We can't let our good love die. Interestingly, it also seems like a reference to Maya Angelou's famous feminist poem "Still I Rise" ("Does my sexiness upset you? Now you're lyin′, you′re lyin'. The notion of incriminating scents is recapitulated in "Hold Up, " but this time, Beyoncé is less inert and more... um... proactive in her pursuit of clarity. Does it come as a surprise / That I dance like I've got diamonds / At the meeting of my thighs?
This lyric is filthy. For seven years I have sung with you I was your sister! Maybe we can start all over. Writer(s): Eyen Tom Lee, Krieger Henry D Lyrics powered by. This lyric also contains a brazen nod to growth and motherhood, conflating stretch marks with power, much like the earlier track "Cozy" ("Kiss my scars because I love what they made"). I can see that we're not happy here. Our systems have detected unusual activity from your IP address (computer network). In the middle of "Plastic On the Sofa, " the closest thing that "Renaissance" has to a love song, Beyoncé can't help but slip in a casual dig about her partner's coolness. In terms of Lemonade's narrative arc, "Pray You Catch Me" functions as an expository signpost (being the opener and all) — Beyoncé is less certain and more speculative of Jay Z's alleged infidelity. Effie, I′m tired of all the problems you're making us.
DEENA, LORRELL, CURTIS, C. C., & JIMMY]. I've been warning you for months to clean up your act. Is that alright also with you? Stay out of this, Lorrell! There you are Effie I've been looking all over.
The longest song on "Renaissance" is also one of the most graphic. DEBORAH LURIE, HENRY KRIEGER, TOM EYEN. Effie:] I'm not feeling well. To have you tear it apart. Everyone:] It's all over. Oh I can go further. Givin' all kinds of bullshit, flak. Effie:] I ain't going! I've been warning you for months to clean up your act You've been late; you've been mean given all kinds of bullshit flack. Les internautes qui ont aimé "It's All Over" aiment aussi: Infos sur "It's All Over": Interprète: Beyoncé. I always knew you two were ganging up on me. Effie:] I turn my back and find myself out on the line.