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This desire to control the language of colour provides an interesting antithesis to the main function of colour in fashion. Although such movies have not always commanded the mass ('family') audiences for which they are intended, they have flourished in the domestic and international media marketplace since the 1970s, and their commercial and cultural dominance appears likely to extend further in the years to come. 6mi Caldwell Luxe Reel Theatre 913 Arthur Street, Caldwell, ID 83605 16. In addition, a case study of Portland's censor board provides much-needed analysis of censorship processes in area of the country that was, during this period, shedding its identity as a frontier setting and beginning to define itself as an urban center. Prey for the devil showtimes near ontario luxe reel theatre eagle showtimes and movie tickets cinema and movie times. Whereas scholars and commentators usually suggest production trends are by-products of preoccupation with topical discourse or a response to a single hit film, this essay that they are determined by industry decision-makers' perceptions of the profit potential of a given type of film, of its profit potential relative to that of other types of film, and of its capacity to maintain the profitability of the supply chain linking producers to consumers. This tension of colour in fashion is present in the world of textile and retail industry.
This examination will serve to illustrate factors that affected the legitimacy and effectiveness of Portland's censor board, which in turn will contribute to a broader understanding of the birth of motion picture censorship within the unique social and political conditions of the 1910s. It was also a decade that saw increased activity around colour standardization and categorisation and moreover efforts to produce a universal colour nomenclature. Sorry, preview is currently unavailable. For example, the Textile Color Card Association in America promoted the standardization of colours across the fashion industries as well as predicting and naming colours for the following season for the textile and retail industry (Blaszczyk, 2012). YUMPU automatically turns print PDFs into web optimized ePapers that Google loves. Loading... You have already flagged this document. Primary evidence is derived from a selection of archival documents from the mayoral papers of H. R. Prey for the devil showtimes near ontario luxe reel théâtre national. Albee, who served the city of Portland from 1913 to 1917, and other documents from the City of Portland archives, including City Council documents and monthly reports. 1mi Pix Theatre - Nampa 210 12th Avenue South, Nampa, ID 83651 30. Cinema Outside the City: Rural Cinema-Going from a Global PerspectiveThe Business of 'Wholesome entertainment: The Mascioli Film Circuit of Northeastern Ontario. Colour was also a subject of intense international debates concerning its artistic, scientific, philosophical and educational significance. Journal of Historical GeographyCinema's milieux: governing the picture show in the United States during the Progressive era. Whilst the idea of a universally-appealing film remains an impossible dream, mainstream Hollywood has pursued it relentlessly. No longer supports Internet Explorer. 0mi Eagle Luxe Reel Theatre 170 East Eagles Gate Drive, Eagle, ID 83616.
Colour systems such as the Munsell system were promoted as meanings of measuring and standardising colour. In addition agencies such as America's National Bureau of Standards were experimenting with the measurement of colour for a range of potential uses (Johnston, 2001). Theatres near Roswell, ID. Initially, the audience for family films was predominantly domestic, but with the increasing spending power of international audiences, family films are now formulated on the belief that no market is inaccessible. Prey for the devil showtimes near ontario luxe reel theatre eagle id 83616. For this reason, they are inextricably linked with Hollywood – the only film industry in the world with the resources and distribution capacity to address a truly global mass audience. "This paper will consider the interrelationship of colour, fashion and Technicolor in the 1920s through an examination of the intermedial context of colour standardisation and categorisation. Thank you, for helping us keep this platform editors will have a look at it as soon as possible. Participations: Journal of Audience & Reception StudiesThe 'Picture' habit: Bad decorum and delinquents at the Silent Cinema.
The paper will explore the history of both colours, their origins and changing meanings, through their interaction with the film they were featured in and the wider world of fashion and beyond. Choose your language. This paper explores how movie censorship developed in Portland, Oregon, and why theater managers and the city struggled so intensely over local censorship of motion pictures. Since the 1970s, Hollywood family films have been the most lucrative screen entertainments in the world, and despite their relativelyunexplored status in academic film criticism and history, I will argue that the format is centrally important in understanding mainstream Hollywood cinema. Are you sure you want to delete your template? The family film was the result both of external pressures to make films more morally-suitable for children, and the desire to engage a more middle-class mass audience. It does so through an analysis of the history of Portland's motion picture censor board in its various iterations in the early 1910s. 1mi Cinemark Majestic Cinemas 2140 East Cinema Drive, Meridian, ID 83642. Thus proving there was a desire for both standardisation and variety in the growing consumer culture, resulting in colours becoming commodities. 'Fashion thrives on novelty and change' (Arnold, 2009) and colours are one means by which fashion can reinvent itself with each new season. 1mi Ontario Luxe Reel Theatre 477 Southeast 13th Street, Ontario, OR 97914. Its purpose was to record all colour names in use up to that time and to provide 'a record of color words and the particular sensations they identify' (Maerz and Paul 1930).
9mi Village Cinema 3711 East Longwing Lane - The Village at Meridian, Meridian, ID 83646 31. Ooh no, something went wrong! This they achieve through a combination of ideological populism, emotional stimulation, impressive spectacle, and the calculated minimisation of potentially objectionable elements, such as sex, violence, and excessive socio-cultural specificity. I will argue that Hollywood family films are designed to transcend normative barriers of age, gender, race, culture and even taste; they target the widest possible audiences to maximise commercial returns, trying to please as many people, and offend as few, as possible.
This thesis maps the history of the Hollywood family film, documenting the motivations and strategies involved in its emergence and development, analysing the form creatively and ideologically, evaluating its place within global mass entertainment, and underlining its considerable importance. The language used to describe colour was also the focus of research by contemporaries culminating in 1930 in the publication of a Dictionary of Colour. The Historical Journal of Film, Radio and Television"A New Movie-Going Public": 1930s Hollywood and the Emergence of the "Family" Film. 9mi Terrace Drive-In 3071 S Lake Ave, Caldwell, ID 83605 17.
This essay provides an analysis of the American film industry's fleeting foray in 1979 into roller disco movie production, countering prevailing notions about the conditions which underwrite surges in production of given types of film. The paper also consults various local newspapers from the same era, as well as compilations of theater, vice, and social hygiene reports from prominent civic and government groups at the time. It is the Holy Grail for mainstream producers, and has attained considerable importance in U. S. – and increasingly international – culture, as audiences flock to see films which appear to transcend run-of-the-mill screen entertainment by providing universally-intelligible aesthetic and/or emotional satisfaction. These stars functioned as examples for young girls that were searching for their identity in this 'jazz age' or 'années folles'. Hollywood cinema was already an international cultural phenomenon, but was founded upon a claim to universality that was undermined by the predominance of adult-orientated films.
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