This time I might no make it, I might not make it. I take every rapper screamin' mental health to sell records. Verse 1: The Weeknd]. I can make your girl disappear like magic. Then I get 'em faded off that super fantastic. B**ches know, told a ho it's different strokes for different folks. As soon as he go to rob him, we gon' set that nigga up (Yeah, gimme the keys, nigga). This time I might not make it. Visions of wantin' to die, I looked the Devil in eye (Hahaha). Main artist: REASON. Marry Khloe in Vegas, give her cock, then divorce her.
Terms and Conditions. I might not make it, this time I might not. Smoke a little weed with another 2 girls. I muck duck tape some City Girls and roll through the city. Is this camera on me? I took too much and I've gone too far. Listening to House of Balloons like a classic. I been making nothing.
Use the citation below to add these lyrics to your bibliography: Style: MLA Chicago APA. Loading the chords for 'Katastro - Bending (I Might Not Make It)'. All I gotta do is follow where the pass is. Yeah-yeah, yeah-yeah. Chordify for Android. Upload your own music files. Please write a minimum of 10 characters. Even if they had a million dollars, they'd be trapping. This-this is just a joke. The night's too long. Please wait while the player is loading. Everybody 'round me saying I should relax.
The Weeknd( Abel Makkonen Tesfaye). Discuss the Might Not Make It Lyrics with the community: Citation.
F. these sensitive ass niggas, look. They scream, "Periodt, " with period blood all over their titties. How to use Chordify. Rewind the clock and turn West into the old Kanye. Português do Brasil.
Kidnap Trump and Ghost Rider, let 'em crash in the coupe. She told me no religion was the new religion. We all gettin fucked up. She screamin' out, "Drive the boat" while I'm tryna drive her disable. We don't give a fuck though. I've been stoned in the middle of the backseat. Everybody, everybody just so like, why so serious? Drink a bottle of wine with Ari Lennox on some leather sheets. 2020 | Top Dawg Entertainment, LLC. We no longer put no fish scale on the fishing boat.
Second Stage Theater, 307 West 43rd Street, Clinton, (212)246-4422. DCP, 35 mm, 16 mm, Blu-ray, DVD. Bernardo Bertolucci's _The Last Emperor_, about the life of Emperor Pu Yi, who took the throne at age three, in 1908, before witnessing decades of cultural and political upheaval, won nine Academy Awards, unexpectedly sweeping every category in which it was nominated.
Jean-Luc Godard and Jean-Pierre Gorin. Join Portland Psychedelic Society for an evening of conversation with local experts as we break down the psychedelic basics. LOUIS HAYES TRIO (Tonight and tomorrow) Mr. Hayes is a veteran hard-bop drummer, and his playing still crackles; he joins forces here with the saxophonist Javon Jackson and the bassist Reuben Rogers. Nearby Theaters: Select Theater. The soundtrack is a mix of folk/pop, EDM, traditional Irish tunes, and hip hop originals by Q. Suffused with a lingering post–World War II disillusionment while also evincing the playfulness and fascination with theatrical performance and conspiracy that would become hallmarks for the director, Paris Belongs to Us marked the provocative start to a brilliant directorial career. Upper-class geometry professor Juan and his wealthy, married mistress, Maria José, driving back from a late-night rendezvous, accidentally hit a cyclist, and run. This affectionate paean to young love is also a frank examination by Akira Kurosawa of the harsh realities of postwar Japan. And midnight, Sweet Rhythm, 88 Seventh Avenue South, above Bleecker Street, West Village, (212)255-3626; cover, $20, with a $10 minimum. M., Brooklyn Academy of Music, 30 Lafayette Avenue, at Ashland Place, Fort Greene (718)636-4100; $20 to $60. ORLAN/BRIAN BELOTT Orlan, the French performance artist, turns from surgical to digital alterations of her features, which she merges with Pre-Columbian artifacts. Prey for the devil showtimes near clinton 8 theatre.com. JEANINE DURNING (Tonight and tomorrow night) Always thought-provoking and frequently exciting, Ms. Durning departs from her recent driven pure-dance choreography for a new work that explores confinement, complete with bound women and men in suits. The program features arrangements of familiar works like Ravel's "Tzigane" contrasted with Asian-tinged music and Indian ragas, for which Mr. Hope will be accompanied by Shyam Mohan on tabla and Gaurav Mazumdar on sitar.
35705 Gratiot Avenue, Clinton Township, MI 48035. Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. 'EINSTEIN'S GIFT' Previews start tomorrow. World Premiere · Q&As with Chinonye Chukwu and Danielle Deadwyler on Oct. 1 (joined by Whoopi Goldberg) & on Oct. 2 (joined by Jalyn Hall, John Douglas Thompson, Jayme Lawson, Tosin Cole, Keith Beauchamp, and Deborah Watts). Des McAnuff directs (2:30). M., Grace Rainey Rogers Auditorium, Fifth Avenue and 82nd Street, (212)570-3949; $40. Prey for the devil showtimes near clinton 8 theatre showtimes clinton ia. WHITNEY MUSEUM: 'REMOTE VIEWING, ' through Oct. 9. In making a film based on the life of a renowned eighteenth-century painter and woodblock portraitist, the great Japanese filmmaker Kenji Mizoguchi created one of his most autobiographical statements on the artistic process as well as another of his trenchant observations about the place of women in Japanese society. William Finn's score sounds plumper and more rewarding than it did Off Broadway, providing a sprinkling of sugar to complement the sass in Rachel Sheinkin's zinger-filled book.
Mitzi E. Newhouse Theater, 150 West 65th Street, Lincoln Center, (212)239-6200. A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage captured over the twenty-five-year career of documentary cinematographer Kirsten Johnson. With a small film crew, Wim Wenders accompanied his old friend Ry Cooder, who had written the music for Paris, Texas and The End of Violence, on a trip to Havana. This movie is solid as a Rock. Still, it seems safe to say that such a good time is being had by so many people that this fitful, eager celebration of inanity and irreverence will find a large and lucrative audience (2:20). The gory _Jigoku_ created aftershocks that are still reverberating in contemporary world horror cinema. ANN AGEE: 'BOXING IN THE KITCHEN' A ceramicist with a playful and not too fussy touch, Ms. Agee has created a whimsical, tabletop landscape in which painted terra-cotta representations of friends and family members in different sorts of costumes cavort among cartoonish pink rock formations. A dying woman begs Zatoichi to reunite her son with the father he has never met, but when the blind masseur searches for the man, he discovers that he has been forced by a local yakuza boss to pay off his gambling debts in an unusual way: by painting illegal erotica. Prey for the devil showtimes near clinton 8 theatre movies in clinton ia. A darkly comic portrait of late Thatcher-era London, High Hopes examines the different lives of a pair of siblings: Cyril (Philip Davis), a caustic motorcycle courier who takes pride in his working class roots, and Valerie (Heather Tobias), a high-strung aspirant to upper-middle class materialism. The performances are flawless. Balancing physical action with Buddhist musings on life and death, the most spiritual of the Lone Wolf and Cub films finds Ogami's combat skills put to the test by five different warrior-messengers. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Grace and Virginia are young San Diego twins who speak unlike anyone else. 'THE EXORCISM OF EMILY ROSE' (PG-13, 114 minutes) If you must see only one demonic-possession courtroom drama this year, wait for the next one.
France's Oscar Entry. Kurosawa's gloriously shot first color film displays all of his hopes, fears, and artistic passion. With a lovely score from composer Manuel de Sica, this grand yet intimate work is a storybook conjuring of a way of life and thought. 'THE MEMORY OF A KILLER' (R, 120 minutes, in Flemish and French) Directed by Erik Van Looy, this nicely kinked Belgian thriller features a range of good guys and bad, including one whose sense of morality and world-weariness seem straight out of a Jean-Pierre Melville film. She is, in fact, what "Dedication" is all about, or intends to be, anyway. 'ORSON'S SHADOW' Austin Pendleton's play, about a 1960 production of Ionesco's "Rhinoceros, " which was directed by Orson Welles and starred Laurence Olivier, is a sharp-witted but tenderhearted backstage comedy about the thin skins, inflamed nerves and rampaging egos that are the customary side effects when sensitivity meets success (2:00). Walter Kerr, 219 West 48th Street, (212)239-6200. Interviewing a variety of newcomers in middle- and working-class communities from coast to coast, Malle paints a generous, humane portrait of their individual struggles. Melvin Van Peebles's edgy, angsty, romantic first feature could never have been made in America. BILL CHARLAP TRIO (Tuesday through Oct. 16) Bright and breezy yet unfailingly precise, Mr. Charlap, the pianist, has come to exemplify jazz's modern mainstream. Santikos Entertainment. One of the first feature documentaries to address gay life in America, it's a work of advocacy itself, bringing Milk's message of hope and equality to a wider audience.
Brought pristinely to the screen by Jonathan Demme, this compellingly abstract reimagining of Henrik Ibsen's Bygmester Solness features Shawn (who also wrote the adaptation) as a visionary but tyrannical middle-aged architect haunted by figures from his past, Jonathan Demme. With _An Angel at My Table, _ Academy Award–winning filmmaker Jane Campion brings to the screen the harrowing true-life story of Janet Frame, New Zealand's most distinguished author. This locally produced feature has Portland talent in front of and behind the camera. At 8, Miller Theater, Columbia University, 116th Street and Broadway, Morningside Heights, (212)854-7799 or. 'SCREEN PLAY' A. R. Gurney's gleefully partisan retooling of the film "Casablanca" sets one tough saloon owner's battle between idealism and cynicism in Buffalo in the 21st century. Staged by Jim Simpson as a deftly orchestrated reading, "Screen Play" turns out to be more than a quick collegiate caper; it's a morally indignant work that fights frivolity with frivolity (1:10). Educate At the Movies.
Made over the course of ten years, this epic work of activist cinema joins the citizens of Sennan, Osaka as they embark on an unprecedented uphill legal battle to receive reparations from the government for exposing their community to the deadly toxins of the city's asbestos factories. 9:30 p. m., Joe's Pub, 425 Lafayette Street, East Village, (212)539-8778; cover, $20, with a two-drink minimum. Bellwether, 134 10th Avenue, near 18th Street, (212)929-5959, through Oct. (Johnson). The Montreal trio We Are Wolves opens. Originally intended to be Agnès Varda's farewell to filmmaking, this enchanting self-portrait, made in her eightieth year, is a freewheeling journey through her life, career, and artistic philosophy. Highlights of tomorrow's show at KeySpan Park on Coney Island include the Pixies, Gang of Four, Built to Spill and Rilo Kiley. 'EL CRIMEN PERFECTO' (No rating, 105 minutes, in Spanish) In this antic and outrageous black comedy, Rafael González (Guillermo Toledo) is a salesman in the women's section of a Madrid department store. Whether seen as an exacting character portrait or one of cinema's most hypnotic and complete depictions of space and time, _Jeanne Dielman_ is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. It is now 1968, and the mischievous and perpetually love-struck Doinel has been dishonorably discharged from the army and released onto the streets of Paris, where he embarks on a series of misadventures. Legendary swordplay filmmaker Hideo Gosha's _Sword of the Beast_ chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. Since then, he's played with Bob Dylan and produced for Lucinda Williams, and this year is preparing to tour with John Mayer. William Cameron Menzies. Austria's Oscar Entry. Approximate running times are in parentheses.
Sean Baker and Shih-Ching Tsou. A very personal, whimsical exhibition by this well-known Japanese photographer, who incorporates into his own work artifacts that he has collected over the years, particularly from East Asia and Japan. World Premiere · Intro by Martin Scorsese, David Tedeschi, and David Johansen on Oct. 12; Q&A with Martin Scorsese, David Tedeschi, and David Johansen on Oct. 14. North American Premiere. Surprisingly lighthearted and brisk, considering its fairly morbid premise. À nos amours_ is one of Maurice Pialat's greatest achievements. 'TOSCA' (Tonight, tomorrow and Sunday) Diminutive, venerable and unbowed, the Amato Opera, a salty old-school denizen of New York, is presenting an even more venerable standby as the first production of its 58th season: Puccini's "Tosca. " By now, its buzzsaw chords and minor-key melodies have taken on a tinge of roots rock, and Mike Ness has moved from singing about youthful frustrations to pondering adult choices and consequences. For her award-winning breakthrough film, director Gillian Armstrong drew on teenage author Miles Franklin's novel, a celebrated turn-of-the-twentieth-century Australian coming-of-age story, to brashly upend the conventions of period romance.