As we wish our work to be full of the life of this country, our stage-manager has almost always to train our actors from the beginning, always so in the case of peasant plays, and this makes the building up of a theatre like ours the work of years. Whom would I drive away? The newspaper he reads of a morning has not only the haloes and horns of the vestry, but it has crowns and fools' caps of its own. Saw the pierced Hands. But if literature has no external test, how are we to know that it is indeed literature? The success of the chorus in the performance of Hippolytus last Spring—I did not see the more recent performance, but hear upon all hands that the chorus was too large—the expressiveness of the greater portion as mere speech, has, I believe, re-created the chorus as a dramatic method.
I have written no play about marriage, and the Independent Theatre died some twelve years ago, and L'Intruse might be played in a nursery with no worse effects than a little depression of spirits. I will say but a little of dramatic technique, as I would have it in this theatre of speech, of romance, of extravagance, for I have written of all that so many times. Somebody was talking of the sea paintings of a great painter, Hook, I think, and this made him very angry. Then the sand would fall more quickly. The Gaelic League has its great dramatic opportunity because of the abundance of stories known in Irish-speaking districts, and because of the freedom of choice and of treatment the leaders of a popular movement can have if they have a mind for it. We have never doubted that what he assails is evil, and we are never afraid that it is ourselves. Son: They weighed so lightly. Men told us that we should keep our hold of them, as it were, for they were a part of our glory; but we did not consider our glory very important. He swings his silver hammer and the keepers of the temple cry out, prophesying evil, but he must not mind their cries and their prophecies, but break the wooden necks in two and throw down the wooden bodies. I have but one art, that of speech, and my feeling for music dissociated from speech is very slight, and listening as I do to the words with the better part of my attention, there is no modern song sung in the [222] modern way that is not to my taste 'ludicrous' and 'impossible. ' A little later, Mr. George Moore [A] joined us; and, looking back now upon our work, I doubt if it could have been done at all without his knowledge of the stage; and certainly if the performances of this present year bring our adventure to a successful close, a chief part of the credit will be his. Can you see who it is? The ANGEL appears in the doorway, stretches out her hands and closes them again. ]
You have a soul, then? ' The struggle of the last week has been long a necessity; various paragraphs in newspapers describing Irish attacks on Theatres had made many worthy young men come to think that the silencing of a stage at their own pleasure, even if hundreds desired that it should not be silenced, might win them a little fame, and, perhaps, serve their country. I want to put old stories into verse, and if I put them into dramatic verse it will matter less to me henceforward who plays them than what they play, and how they play. They played there Mr. Synge's two plays, Mr. Colm's play, and my King's Threshold and Pot of Broth. Nor is it otherwise with the reformers of churches and of the social order, for reform must justify itself by a return in feeling to something that our fathers have told us in the old time. Did you hear a noise of cheering, and you coming up the hill? The Pie-dish, by George Fitzmaurice. What are you standing there for? They tell us that the war between an Irish Ireland and an English Ireland is about to become much fiercer, to divide families and friends it may be, and that the organisations that will lead in the war must be able to say everything the people are thinking. Who met Fand walking among.
Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. I must ring the bell for my pupils. They are Dr. Douglas Hyde's Casadh an t-Sugain, which is founded on a well known Irish story of a wandering poet; and Diarmuid and Grania, a play in three acts and in prose by Mr. George Moore and myself, which is founded on the most famous of all Irish stories, the story of the lovers whose beds were the cromlechs. Many years ago, when I was contending with Sir Charles Gavan Duffy over what seemed to me a too narrow definition of Irish interests, Professor York Powell either said or wrote to me that the creative power of England was always at its greatest when her receptive power was greatest. Every artist necessarily imitates those who have worked in the same form before him, and when the preoccupation has been with the same [194] life he almost always, consciously or unconsciously, borrows more than the form, and it is this very borrowing—affecting thought, language, all the vehicles of expression—which brings about the most of what we call decadence. Peter [offering the shilling]. If they say, 'I will write of Irish country people and make them charming and picturesque like those dear peasants my great grandmother used to put in the foreground of her water-colour paintings, ' then they had better be satisfied with the word 'provincial. '
It is a supreme moment in the life of a nation when it is able to turn now and again from its preoccupations, to delight in the capricious power of the artist as one delights in the movement of some wild creature, but nobody can tell with certainty when that moment is at hand. To the waters and the. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. The background, especially in small theatres, where its form is broken up and lost when the stage is at all crowded, should, I think, be thought out as one thinks out the background of a portrait. Let us get back in everything to the spoken word, even though we have to speak our lyrics to the Psaltery or the Harp, for, as A. says, we have begun to forget that literature is but recorded speech, and even when we write with care we have begun 'to write with elaboration what could never be spoken. ' Run round to the kitchen, and my wife will give you something to eat. I am the best of all drinkers and tipsy companions, the kindest there is among the Shape-changers [67] of the world. As we do not think that a play can be worth acting and not worth reading, all our plays will be published in time. Bernard Shaw has written us a play [H] in four acts, his first experiment in Irish satire; Mr. Tarpey, an Irishman whose comedy Windmills was successfully prepared by the Stage Society some years ago, a little play which I have not yet seen; and Mr. Boyle, a village comedy in three acts; and I hear of other plays by competent hands that are coming to us. Many small donations ($1 to $5, 000) are particularly important to maintaining tax exempt status with the IRS. The old writers were content if their inventions had but an emotional and moral consistency, and created out of themselves a fantastic, energetic, extravagant art.
Now, at this time there was a little boy learning at one of them who was a wonder to every one for his cleverness. How should their luck. Better go away to Scotland again, or if you stay here ask no one what has happened or what is going to happen.
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