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Individual Blue You.
Clinically dead and made it All that much easier to lie. Cue a dramatic Livejournal-traumatizing split with guitarist and backing vocalist John Nolan and bassist Shaun Cooper, the release of the incredibly underwhelming Where You Want to Be, and fast-forward to the "louder" Taking Back Sunday, debuting on Warner Bros. Records with Louder Now. Where You Want to Be (2004). New Again feels focused and sure; the band sounds confident despite yet another lineup change. Their sound, somewhere between Thursday and Saves the Day, caused a figurative explosion within the scene. There aren't any sudden breakout parts like the end of "Timberwolves at New Jersey, " and aside from the aforementioned songs, nothing of interest guitar, bass, or drum-wise. While the last album's lack of maturity could be blamed on the band being re-formed, they've been a single group now for long enough that there should be some sense of growth. The rest of the album faults the same way Where You Want to Be faulted. Divine Intervention. Open arms reject assuming hands. It's the only thing you see. There are big distractions with the production; everything seems like it was played an octave too high, and the usually hard-hitting drums are muffled behind overdriven guitars and too much attention on the vocals.
And it still suits you the same. You had your chance. Best Places to Be a Mom. There is a disconnection between the vocals and the music that makes the album hard to listen to. Number Five With a Bullet. With 2002's infamous Tell All Your Friends, Taking Back Sunday set a pretty high bar for the post-hardcore pop-influenced genre that everyone decides to call emo. But there are those who still haven't gotten over the fact that John Nolan just ain't coming back, and so they scrutinize each new backup vocalist with a magnifying glass and ultimately disapprove of them. You had your chance (you had your chance).
Call Me in the Morning. "Everything Must Go" is one of the best Taking Back Sunday songs ever, with a similar role to "I'll Let You Live" as the album's "epic" closer in terms of length and a slow start leading to a climax. In terms of how New Again fits into their discography, it's not as good as their first two albums, but it is more consistent than Louder Now. Instead of being a whiny confrontational song, "Capital M-E" instead sounds wistful and the mood is sad because of it. "I'll Let You Live" has potential, but is muddled down by never finding out what kind of song it wants to be. The single, "MakeDamnSure, " isn't what I'd call amazing, but certainly has learnings of a day when TBS could construct a wonderful pop-punk song, hopefully being a good introduction of things to come. You're So Last Summer. Liar (It Takes One to Know One). While Mascherino's departure was obviously a point of contention, the band sounds content with where they are right now musically.
"Lonely, Lonely" continues the string of strong songs, and it sees New Again falling into one of Louder Now's pitfalls - top-heaviness. Instead, what I'm hearing is the best impersonation of old Taking Back Sunday that the new Taking Back Sunday could put together. New Again places less emphasis on catchy parts and more focused on entire songs. Tell All Your Friends set in motion a plethora of Taking Back Sunday rip-offs whose albums were nothing but plagairized half-screams and lyrics that gave suburban kids a false sense of tragedy in order to justify their silver-spoon lives. Sure it's rough around the edges. So that's New Again, and it's perfect. Songbooks are recovered.
Making an example out of you. Open arms reject assuming hands (arms reject assuming hands). Set Phasers to Stun. The album name rather obviously refers to the fact that Taking Back Sunday have suffered yet another guitarist/backup vocalist change, their third in four albums. Tell All Your Friends (2002). Faith (When I Let You Down). The re-done bridge and the slight production really put this song into the "Would be fun as hell to see live" category. Taking Back Sunday (2011).
Other than those two songs, everything else is strong. With some songs on Louder Now, like "Miami, " the verses seemed haphazardly thrown together as simple segues into a catchy chorus, and while it was still a great album, it did feel like Taking Back Sunday were settling into a rut and riding on their past success. That look was priceless. Don't let me get carried away. You catch on quick (you catch on quick). As the cynics stop before. Well this is phase one. Taking Back Sunday finally feel like accomplished, skillful songwriters instead of a band driven by a few clever lyrics and a sarcastic delivery. Then there was Fred Mascherino, who was a member of the band for Where You Want To Be and Louder Now. On New Again, there is Matthew Fazzi.
Taking Back Sunday have always felt like a "summer" band, making music to be blared from car speakers while speeding down a highway, but they've never felt like more of a summer band than they do on New Again. Don't get me wrong - their music is honestly timeless - but Lazzara's insistence that he's "ready to feel new again" on the title track gains more meaning in the summer, where life is made up of fleeting fancies and opportunities, where we move from one day to the next, always searching for something different than the day before but only finding that everything is the that's just fine. There are going to be a lot of jokes about how this album is called New Again and how Taking Back Sunday still sound basically the same as they always have, which is unfortunate because it isn't really clever at all. While bands like Thursday and Brand New are growing up and out of the trends they were responsible for setting in motion, raising the bar on themselves and the bands around them, Taking Back Sunday seems content to rest in the laurels of their mediocrity, proving the band that was the most successful at ripping them off was themselves. Site is back up running again. However, Louder Now's best songs seem stronger than anything on New Again, or they were at least more immediately gripping.
"Spin" also manages to bring back the energy that the band had with "Blue Channel. " I will say that I still stand by my one-star review of WYWTB. The title track fittingly kicks things off, and Taking Back Sunday sound more sincere than ever. Owdance on the Inside. Still, Fazzi fits in nicely on New Again, sounding much like Mascherino did, except he opts for more of a background role, whereas Mascherino sometimes felt like more than a backup vocalist. I treat it like disease. When there was talk that the band was returning to their 'roots, ' it seemed encouraging. However, New Again redeems itself better than Louder Now did; its weakest songs are much stronger than Louder Now's.
The obligatory acoustic song is painfully bad. "Miami" is terrible. Oh that this is where, where the party is. "Capital M-E" is a scathing commentary on Mascherino's departure, and interestingly enough, it contains the most interesting and catchy guitar playing on the album. Lazzara lets the lyrics do the talking as opposed to putting any sort of aggression in his voice and the song is better for it.
Great Romances of the 20th Century. But its nothing that im proud of (no its nothing that im proud of). Happiness Is (2014). You've got to feel sort of sorry for the guy; although Mascherino has come under fire from a lot of TBS fans (and TBS themselves) because of his departure to form the awful The Color Fred, he was still well-liked, and he performed excellently during his time in the band. The songs, for the most part, involve a couple verses, a few choruses, and a breakdown featuring overproduced or near-whispered vocals for 'effect. ' "Sink Into Me" starts off shakily with staccato "Hey! I'm not saying that Louder Now is always bad, but I am saying it's getting old and pretty boring. To be honest, the first time I listened to this album in full I found myself bored with a majority of it. I've seen it before. The magnification of the vocals only emphasizes the fact that this album can't hold the weight of its predecessors in the lyrical department. Better Homes and Gardens. Lazzara's vocal performance is his best since Tell All Your Friends, and the pacing of the song is utterly fantastic. On Tell All Your Friends, there was John Nolan, who left shortly thereafter to form the one-hit wonder band Straylight Run.
There's No 'I' in Team. In that regard, New Again is business as usual; Adam Lazzara still owns the microphone, the lyrics are still sarcastic and clever and biting, and the instruments are still played simply yet competently. The abortion that you had left you. Writer(s): Edward Reyes, Mark O Connell, Adam Lazzara, Matthew Rubano, Fred Mascherino. Don't act like you're the first one.