It was released to wide acclaim and snaffled a batch of awards at international film festival awards. Treeless Mountain (2008). The idea of the Housemaid trilogy, which arose every decade, was to offer a view of Korean society in the 60s, 70s and then 80s, and we get an irate slice of the 70s here. Tasked with following up the international success of the Vengeance Trilogy, Park Chan-wook provided this dippy rom-com of peculiar proportions, with no better setting for his manic story-telling than the blue-tiled walls of a mental institution. The film is as characteristically stylish as ever though, combining auteur-level framing with surrealist visualisation to create something habitually Park-like in the process. The cinema of Hong Sang Soo. Customarily the drink is poured for ones drinking partner, which leads to some painful situations in Hong's movies; in which characters pour drinks for those that they've been arguing with moments before. This is a mysterious, disorientating and sometimes truly disturbing piece of cinema. "Director Hong decided not to appeal in order to focus on his filmmaking career and present life, " One Law Partners, representing the world-renowned director, said in a press release. This is Junhee's cue finally to erupt with the acrimony she has clearly had brewing for the last half-hour. What seems like another rom-com to throw on the pile eventually turns into some more meaningful and ultimately heart-breaking. Hong and Kim have filmed six films together, including "Hotel by the River" and "Claire's Camera. Sometimes films are necessarily bleak in order to imprint their message on your mind.
At times he has even gone so far as to compose music himself, recording low-fi renditions on his phone, before adding them to his films. "GRASS's main set is a languorous coffee shop, Kim plays A-reum, who quietly sits in the corner and eavesdrops sundry conversations of other patrons, and is mildly baffled when one of them approaches her for a rather audacious favor. Sangok, a former actress, has returned to Seoul from her home in the US to visit her sister. It is a film which shows the complexities of love and the challenges that many relationships face. Nobody's Daughter Haewon (2013). Released around the time of the IMF crisis, we unpack the theme of Korea's disenfranchised youth here, with two hours of fights, feuds and doltish encounters from a single gas station location. A Moment to Remember (2004). A rift on the city versus rural divide in Korea, its stunning cinematography is blended with a truly unique soundtrack, often leading with electronica music, but most memorably utilising The Flying Pickets' 'Only You' for one scene. Kim won best actress at the 67th Berlin International Film Festival in 2017 for "On the Beach at Night Alone, " becoming the first Korean to clinch the honor at the Berlinale. The only animated film on the list (Wonderful Days, also known as Sky Blue, and Seoul Station both gained a single vote, but not enough for inclusion), this is a bleak, angry and utterly uncompromising film. "The fact remains unchanged that (the couple's) marital life has completely ended. ‘The Woman Who Ran’ (‘Domangchin yeoja’) Review –. Soo-jung in Korea, it provides a deeply realistic view of romantic encounters. The book was something that Hong was reading at the time and in a spur of the moment decision, decided to add this to the script. Reads one of his posters) in this funny, colour-filled and energetic outing.
Since then, he has been seeking to end his marriage, apparently to tie the knot with Kim, but his wife has been adamant about not giving in to the divorce suit. Park Chan-ok. Director Park Chan-ok manages to progress her story here, jumbling the time passages we see in the process, while chiefly focusing on the cerebral aspects of our characters' fortunes. They walk through the bare trees of the wintry park, they go to eat ramen, they come up with a plan — despite the impasse each has reached on her own — to work together. My Sassy Girl (2001). Absurdity of the Mundane: The Cinema of HONG SANG SOO. Says the director, repeatedly. Director Im changed the face of Korean cinema by focusing on films with distinctly Korean themes and stories. Risqué for the highly censored era of its release, The Seashore Village unpacks female sexuality and the power of women in the second list entry for Kim Soo-yong. Hotel by the river hong sang soo tumblr englishnovelonline. She can't or won't explain why. Indeed, this is Hong's most female-centric film in recent memory and by giving all men the cold shoulder he's found a fresh-feeling variation on his otherwise familiar brand of conversation-heavy films.
In desperation, he offers to kill a corrupt public prosecutor. With a shareholders' meeting upcoming, he visits his hometown of Mujin. CLASSICAL COMPOSITION. Oct 11-12: Union Cinema - Milwaukee, WI. An explanatory view of post-war Korea, but also taking aim at many societal conventions at the time. The Day a Pig Fell Into the Well (1996). But the last segment of The Woman Who Ran could upend expectations for those who are paying attention. We witness his rise as a painter and his often hostile behaviour, all taking place during vital events in the history of Korea. A melodramatic, engaging and funny classic that has permanently secured its place in the pages of Korean cinema history. In Front of Your Face. A successful play before it was incarnated cinematically, this is a film of true lyrical beauty. With her mother immigrating to Canada, Haewon is feeling low and reaches out to Seongjun again after a long hiatus.
This was art, this was perfection. From there, he starts to spend time with this feisty girl and a sporadic relationship of sorts begins. Several clues are embedded in the closing part, in which Gam-hee goes to an art house theater and accidentally runs into her acquaintance Woo-jin (Kim Sae-byuk), who works there. Hotel by the river hong sang soo tumblr video. Such a fate befalls new wife Hae-sun and she becomes a targeted widow presence on the village. This is often considered his magnum opus though, poignant but with flickers of humour. The force and fire of this argument, along with its small repetitions, has the immediacy of improvisation. Minimalist masterpieces in an increasingly hectic existence. For a filmmaker that is very stark and minimalistic in his use of music, when he does decide to pick a piece for his movie, it is always very deliberate.
Subjects discussed during their reunion include love, real estate, the aggressive behavior of roosters and vegetarianism, as Gam-hee has brought some meat to grill for lunch along with several bottles of alcohol (probably the most recurring prop in all of Hong's films). Writer-director-editor–music: Hong Sang-soo. Night and Day (2008). Byung-doo is 29 and an established member of a crime organisation, but financial strains for his family and concerns over his mother's health has him worried for his future. Yu-jin is a wealthy lepidopterist who appoints Mi-ok as his new housemaid. She receives a letter from Jun, but Sae-bom also reads it and discovers her mother's secret past. Kilsoo goes to see it in a screening room; there is no clue when she emerges as to what she thought. I'm a Cyborg, But That's OK (2006). This is the starting point of an important artistic arch for Hong and as far as debuts go, it is a highly accomplished piece of filmmaking for the future iconic director. Bold and sordid, the third list entry for Kim Ki-young sees the master director find another gear on some of the issues unpacked in his Housemaid trilogy. 71), this portrays the Gwangju Uprising in 1980 where thousands were killed as students demonstrated against the martial law government. Cast: Kim Min-hee, Seo Young-hwa, Song Seon-mi, Kim Sae-byuk, Lee Eun-mi, Shin Seo-kho. Elsewhere, this is a confronting work that shocked and appalled at the Venice Film Festival.
One Fine Spring Day (2001). From this point onwards he was infused with an energy and drive to create more narrative films, to tell stories about humanity and the relationships that bind us together. In one scene a Hong-like character expresses his feelings towards another by reading a passage from Chekhov's About Love, admitting for the first time his love. Read my full review on my blog: Cinema Omnivore, thanks. The Insect Woman (1972). A powerful and effecting film on one of Korea's landmark events.
To appreciate and take stock of the world that Hong has constructed over the past decades, let's look at the themes, motifs and techniques that Hong employs most regularly. A film about material love, it picks up a common thread in Korean cinema around the importance of a mother. While the cinematic version of the revolutionary experience is often focused on the charismatic rebel leader, A Taxi Driver instead pays homage to the humble citizens who make such uprisings possible.
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