Like I could sing along. There's a swing feeling in there, but it's this kind of wistful, humorous thing that Paul brings to it, which is no doubt, like you said, the music that he heard, I think, when he was growing up, and he said that in some interviews I've heard. SOUNDBITE OF MUSIC). And then, now I was getting to - I'd go into Bradley's, and I'd sit at the bar. And God put a mark on him. You know, bohemian in the sense of, he said whatever he want. And it wasn't a traumatic, messed-up adoption by any means. But you were also - you were bullied as a kid. Loading the chords for 'Joshua Bassett - When There Was Me and You (HSMTMTS | Disney+)'. And he was my first model for a bohemian jazz musician. BRIGER: Well, Brad Mehldau, thank you so much for being here today on FRESH AIR. I'm Sam Briger, sitting in for Terry Gross. Activities Hobbies 'If You're Happy and You Know It' Chords Share PINTEREST Email Print Tom Merton | Getty Images Hobbies Playing Music Contests Couponing Freebies Frugal Living Fine Arts & Crafts Astrology Card Games & Gambling Cars & Motorcycles Learn More By Dan Cross Dan Cross Dan Cross is a professional guitarist and former private instructor who has experience teaching and playing various styles of music.
High School Musical - When There Was Me And You Chords:: indexed at Ultimate Guitar. And to me, he had - you know, with the work he did in the classic Coltrane Quartet, there's a spiritual authority. There was one in particular, Larry Donatelli (ph), who's a drummer who gave me and also Joel Frahm, who's a fantastic tenor saxophonist, and another guy, Pat Zimmerli, now who's a classical composer - he gave us all a chance. So, you know, you were in New York in the late '80s when there were just these - lots of jazz clubs, some of them which no longer exist. High School Musical is a 2006 American television film, and the first in the High School Musical film franchise. BRIGER: Well, yeah, it's all in there. It's like it kind of - you know, it's kind of, like, your thing, man. One thing he likes to do is what you call in classical music - maybe you'd call it a pedal point. BRIGER: Does that sort of thing work better when you have a strong melody to work with? You have to kind of play the hall or the club's piano. So I knew I had a book in there somewhere. Like, veterans of the bebop era and hard bop era were still playing. I couldn't - I just - I couldn't, you know?
So that's all, you know, just in one scale. SAM BRIGER, BYLINE: Brad Mehldau is one of the most influential and acclaimed jazz pianists living today. It's - you know, it's Billy Joel. MEHLDAU: And, you know, you never know whether that's true. And if - because I remember we had a lot of good times, too, you know? But all I want is to be over there. And then it's just over, and it's so many elements there all at once in a couple minutes. D G. Cause now I have to pretend. It's all of it put together. For example, the audience responds to the first line of the song ("If you're happy and you know it, clap your hands") by clapping their hands twice, on the second and third beats of the second bar of the line. I hope I'm not going to be wrong.
G CIf you're happy and you know it, clap your hands. MEHLDAU:.. an excuse to play it. All of a sudden, I was writing, and my playing was developing in a way that - and then, it just went from there. "If you're happy and you know it, and you really want to show you're happy and you know it, shout "Hurray! "
You know, I always used to get... BRIGER: Oh, they loved it. ↑ Back to top | Tablatures and chords for acoustic guitar and electric guitar, ukulele, drums are parodies/interpretations of the original songs. D. I'm standing here.
Like, you're playing different chords underneath the melody. So it was a story that I tried to put on myself. I'm standing here but all I want. While I was falling And I didn't mind. You can't just have a Steinway - just because it's a Steinway - it's going to be great. So I thought, well, this would be something exciting to jump into. MEHLDAU: Yeah, I just love it.
BRIGER: So that note's, like, a home note that's throughout the piece. Upload your own music files. And that's always there (playing piano). Get the Android app. Chords Start Of Something New Rate song! High School Musical Albums. You're now in your early 50s. Guitar Solo) Play verse chords.
BRIGER: Is it hard to - for you to listen to music that you recorded from that period? And somehow having that regular gig - when I came back, friends of mine, like Sam Yahel, the pianist, and Peter Bernstein and different people who I played a lot with in New York, they said, wow, you've got something that's different now. So I imagine that that was a particularly hard part to figure out how to play 'cause it's like - there's so - it's just so dense sonically. MEHLDAU: Thanks for having me, Sam. Well I heard you had the b lues a gai n. It seem s like all those li ttle things add up. I'm blessed now, really. You know, they were sort of like a - like, not necessarily a nightmare, but one of those dreams you have that's kind of weird. And he'd come up, and he'd have his tonic water, and he'd be sitting next to me at the bar. But, no, most of the time it's making - yeah - making do with what it is, trying to work with the technician who's there to try to, you know, do a little damage control and then make do with what is. And then some improvising in there - kind of short but they're great chords, you know (playing piano).
I was wondering how much of these are arranged, that you would be playing the same all the time. Well, you know, that actually answers my next question. BRIGER: I remember, I had this album as - when I was a kid. And, of course, there were jazz pianists who were, you know, at the top of the heap for that. And then, same tempo, same key, C blues, more in a modal sort of - I'll say McCoy and Herbie, let's say. Yeah, I did think about that a lot. Mix Gotta Go My Own Way.
It's from "The Art Of The Trio Volume Two: Live At The Village Vanguard. " So that's the most frustrating part, I think. And you didn't really feel like you fit into a lot of them. But it was a way that I started to differentiate myself, probably in a way that wasn't very helpful. As I said before, in your memoir, you talk about the difficulties you had stopping using heroin. But you can't say that, you know? Do you think that's why you like those songs? MEHLDAU: Yeah, musical, yeah, wonky stuff, yeah.
SOUNDBITE OF BRAD MEHLDAU'S "JOHN BOY"). There's so much complexity to their music in all these different instruments and things happening. The other thing that happens is that a piano can be really great, and then, a year later, it doesn't sound as good. And a zero means absolutely never play that again. That's something you find in Bach and Brahms a lot where there's one note that goes through different chords, and it's the same note. MEHLDAU: Yeah, that was one example of where I really said, well, let me step outside of the original. I don't think I ever approached any of them. Learn about our Editorial Process Updated on 05/24/19 If you can play a major chord then you can play "If You're Happy and You Know It". He also has a memoir coming out in March titled "Formation: Building A Personal Canon, Part 1. Verse 2] key change: E major. So somebody covered "Revolution 9" somehow. You know, for instance, when I tell people who's informing a performance, if someone says, I really liked what you did there and it reminded me of Radiohead, I say, well, yeah, actually, that's more from Chopin, or vice versa, you know? MEHLDAU: You know, it's that zone of Paul where these - I think these kind of cadences that are - yeah, it's like it has a church quality to it, you know, another - "Let It Be, " "Hey Jude, " have that.
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